Summer Updates! Shoma, Jason, Starr, Kaori, and More

Image by iguana012 on Tumblr, from Nobunari Oda’s Twitter

This blog went on hiatus while I plowed through an enormous pile of work and moved to my dream home, but I have emerged from hibernation. While I was gone, Jason Brown dropped the most deliciously fanboyish program music announcement in figure skating history. That got me back onto the skating side of YouTube, and I ended up watching several of the new competitive programs that athletes have been premiering at shows and club comps. As usual, a lot of the Japanese skaters are using their summer tours as an opportunity to work the bugs out of their new routines, and some are still too buggy to write about: Keiji Tanaka can’t get through his intriguing, bluesy free skate without falling all over himself, and Turandot looks several sizes too big for Marin Honda at this point. Meanwhile, the fan videos haven’t emerged from North American club competitions as readily as usual – I hear some events are cracking down – so we don’t get to preemptively judge the performances at events like the Chesapeake Open or the Broadmoor Open. But that still leaves me with several programs that I just can’t wait any longer to write about.

The program I’ve been itching to write about for the longest time is Shoma Uno’s new short program, which he’s been workshopping as a show number for the past month. Uno is the kind of brazen daredevil who not only attempts quadruple flips in a dark rink with no boards, but lands them. It’s a smart strategy: those jumps will feel so much easier this autumn, with the lights on. The new program is clearly a work in progress and needs significant refinement in the choreography, especially after the midpoint, when Uno stops connecting with the music so he can concentrate on his quad toe loop and triple Axel. It’s an unfortunate break in an otherwise captivating program that melds familiar Vivaldi strains with brooding teen angst. I assume that by October, Uno will have filled in the empty spaces and turned this promising piece into a nonstop Olympic highlight reel.

Starr Andrews does a great job of getting her skating up on YouTube, and that means we get an early look at her senior debut free skate. For those of us old enough to remember the 1988 Olympics, “One Moment in Time” seems a little on the nose for an Olympic year, but Andrews wasn’t born yet and therefore deserves a pass. Whitney Houston is a great fit for Andrews in general – something about the phrasing just works – and her commitment to the music sometimes makes up for moments in the choreography that don’t give her enough to do as a performer. It’s cool that she put the triple Axel attempt out there, although the jump is nowhere near ready. The triple flip-triple toe loop-double toe loop combination, on the other hand, is spectacular, especially with the difficult and beautiful spiral entrance. I worry that her performance quality is still a bit simple and juniors-y – she’s capable of more. But that’s exactly how I felt about Ashley Wagner at the same age.

Lots of Japanese ladies field-tested their new competitive programs on tour, and most filled me with doubt. In a field as crowded as Japan’s, with only two Olympic spots available, these athletes need to fight to stand out. In spite of this, most of the Japanese ladies seem to be playing it safe, choosing musical warhorses and conventional choreography that disguises, rather than highlights, their personalities and artistic quirks. The most notable exception has been Kaori Sakamoto, who has found a potential signature program in the Amelie soundtrack. The choreography is clever and demanding, often asking Sakamoto to establish her character with her upper body while twisting through footwork or firing up from a dead stop. She also gets to show off her high, muscular triple flip-triple toe loop, then save most of the other jumps for the high-scoring second half. Sakamoto kept elbowing her way into the spotlight as a junior last season – few predicted she’d take bronze at both the Junior Grand Prix Final and Junior Worlds – and this program suggests she’ll storm the senior ranks with the same power, mental toughness, and musicality.

It is possible I am almost as excited about Jason Brown’s new short program as he is. I’m thrilled about the music choice, of course: I love Hamilton, and this is one of the best songs from the show, as well as a non-obvious choice for a skating program. But what makes this so terrific is the program itself. Choreographically, it’s the kind of Advanced Rohene we’re used to seeing Brown perform, so crammed with transitions and difficult turns that I’m tired just watching it. With some pieces of music, that feels like too much movement and too little room to breathe, but the choreographic details feel so intentional here, from the triple Axel that drops right on the beat to the high front kick with a back arch that’s a split-second Fosse tribute. Besides, “The Room Where It Happens” is a song about frustration, so it makes sense that Brown looks like he’s trying to tear himself out of his own skin. He’s also playing the villain, which is a compelling character stretch. Most of the time, Brown is more of a Hamilton than a Burr, and it’s a rare pleasure to watch him seethe. The program sends a satisfying message for an Olympic year, the time when no athlete wants to be on the outside looking in.

Next on The Finer Sports: A recap of Skate Detroit, and a return to regular blog updates now that the pre-season is under way.

The 16 Most Epic Skating Disasters of 2016-17

Image via kinpunshou on Tumblr.

Skating fans like to pretend we’re in it for the successes: the biggest and cleanest jumps, the most engaging and original performances, the mascara-ruining happy tears in the kiss and cry. But there’s something cathartic about an enormous failure. Often, the most memorable programs at a competition are not the technically cleanest ones, but the ones where the wheels come off and the athletes spend four minutes careening toward their worst nightmare.

Not all bad performances are epic. Most are boring and difficult to sit through. Some are so tragic that they’re not worth revisiting; this blog’s official policy until further notice is leave Gracie alone. Many are rooted in fear and inexperience, which is why I’m mostly leaving juniors off the list.  The greatest skating disasters almost always come from great skaters, and part of the fascination comes from knowing how phenomenal these athletes can be when they’re not screwing up. This post is dedicated to the small number of disastrous performances that demand to be rewatched, ridiculed, and picked apart for valuable lessons. It’s a celebration of skating schadenfreude, in more or less alphabetical order.

Continue reading “The 16 Most Epic Skating Disasters of 2016-17”

14 Great Ladies’ Performances of the 2016-17 Figure Skating Season

I pretend to be more invested in men and dance than ladies, but tell me I have to narrow things down to ten great performances, and I turn into a gesticulating mass of feelings. I enlisted my friends to help me whittle things down, but they left me to my own devices for too long afterward. The “Wait! What about…?” list grew and grew. I decided to leave them all on the list, because what skating fan doesn’t want to watch 14 stellar ladies’ performances from throughout the season, and then subtweet me about how I am so obviously wrong?

Here they are, more or less alphabetically, with consideration taken for athleticism, artistry, and how much it hurt when I tried to convince myself to take them off the list.

Continue reading “14 Great Ladies’ Performances of the 2016-17 Figure Skating Season”

10 Great Ice Dance Performances of 2016-17

It’s crunch time in my line of work, so these year-end best-of lists are going to roll out slowly. I’m starting with ice dance for a simple reason: it’s the one I’m most terrified to post. Ice dance fans are territorial and passionate, and boy, will they fight with you. Sometimes they’ll fight with you even when they agree with you. And since my aesthetic preferences in ice dance diverge pretty far from the social media party line, I’m bracing myself for a whole lot of disagreement.

I don’t have specific criteria for what makes a performance great. The most important deciding factor is that, at the end of the season, I remembered how awesome it was. (Yes, there will be a list of performances that were memorable for all the wrong reasons – the season’s top 10 disasters are on their way.) High scores and medal wins are a plus, but not required, and some teams with extremely strong competitive records didn’t make my list this year. Teams also earned credit for innovation, commitment to their program themes, and expressing an emotion other than bland, generalized angst.

With no further ado, and in alphabetical order, here are ten ice dance performances that make me wish summer hadn’t come so soon.

Continue reading “10 Great Ice Dance Performances of 2016-17”

Slightly Unhinged Notes from the World Team Trophy Men’s Short Program

Shoma Uno, and his abs, at the 2017 Worlds gala.

It has been a long couple of weeks, during which I have discovered that I am ostensibly enough of an adult that people want to do things like grant me a home loan and hire me for paid work, despite the fact that my hair is three different colors on my driver’s license, my passport, and my actual head. I am also so tired of everyone’s program music that by the time I got to the men’s short program, I hit the mute button in the IceNetwork window and fired up the YouTube playlist of summer jams that I have been compiling. I watched the men’s short the evening after it occurred, because see above, plus there was a double episode of Survivor on Wednesday night, and I need very badly for Zeke Smith to triumph over transphobia and win a million dollars. So I am rating each program on 1) how well the athlete performed his technical elements, 2) how glad I am that I will never have to see his short program again (dear everybody, the Olympics are coming, please get new choreography), 3) how well his performance lined up with the arbitrary music that came out of my speakers while he skated, and 4) how adorable his teammates were in the kiss and cry afterward.

If you were looking for serious analysis, dude, it’s the freaking World Team Trophy. Team France are dressed as Minions. None of the world medalists in ice dance bothered to show up. The word “Presentation” was misspelled in the score graphic for the entirety of the short program. I am approaching this event with exactly the amount of gravitas that it demands.

Continue reading “Slightly Unhinged Notes from the World Team Trophy Men’s Short Program”

4 Things I Learned from the 2017 World Figure Skating Championships

Now that I’ve had some time to sober up and do all the work I set aside so I could wake up at 2:00 AM and watch people fall on their twizzles, I have some thoughts on Worlds. Too much happened for a play-by-play, and two weeks after the fact, it makes more sense to look at the overall takeaway from the event. It also gives me an excuse to skip some performances that scored well but didn’t grab me, and to focus on a few lower-ranking skates that stood out for reasons other than numbers. As usual, I’ve taken a turn for the long-winded, so I’m splitting this recap into three parts.

1. The magic word was “finally.”

As in, “Look who finally won a gold medal!” Yuzuru Hanyu isn’t new to the top of the podium, and he is the reigning Olympic champion. But two years of sloppy silvers – and an error-heavy season – had made fans start to wonder if he’d begun the long slide into irrelevancy. When he bloopered the jump combination in his short program, stepping out of his quad salchow and invalidating the second jump, it looked like he might miss the podium for the first time since 2013. Hanyu’s free skate, however, was the kind of magic moment that makes a week of early mornings worthwhile. He was flawless from start to finish. His four quadruple jumps weren’t just clean, but exceptional, earning near-perfect grades of execution. His steps and connecting moves were more intricate and certain than most of the ice dancers who would compete later in the evening. By the time he landed his final jump – the triple lutz that he’s referred to as his nemesis, and continues to stick at the end of every free skate like he’s on a quest to defeat it – I was standing on my couch and cheering.

The kiss and cry that followed was one of this year’s iconic off-ice moments. Brian Orser seemed almost as overwhelmed as his student; his first words to Hanyu were, “That was fun to watch.” Meanwhile, Hanyu bravely insisted, “I’m not crying,” as tears ran down his cheeks. Fifth after the short program, Hanyu skated first in the final group, so he got to watch in the green room, with growing giddiness and disbelief, as his opponents fell behind him, one by one. Still stunned in the winner’s interview, he could only think about the error he’d made in the short, repeating that he needed to practice more as the interviewer tried to get him to focus on the world title he’d just won. More than any other men’s skater, Hanyu is eternally unsatisfied, insisting on pushing himself past his own limits. This time, his drive paid off.

It was hard for me to believe that Wenjing Sui and Cong Han had never won Worlds before. Their victory could hardly have come at a better time. Sui is finally healthy after two years of injuries, surgeries, and recoveries, and their instantly iconic free skate tells the story of how the team’s friendship strengthened as Han supported her. If you’re not sniffling at the end of their “Bridge Over Troubled Water” program, you have no feelings. It blows my mind that only one judge gave them a perfect 10 for Performance. They came short of perfection – Sui fell on a triple salchow – but it was easy to forget the error as their momentum built both technically and artistically. It’s hard to imagine a pairs program in which a clean quadruple twist isn’t the hands-down highlight, but their best moves came toward the end: a throw triple flip that sent Sui soaring halfway down the length of the rink, with a feather-soft landing; a final lift whose entrance and exit were as physically difficult as they were emotionally resonant. They earned perfect grades of execution for both elements. And in terms of memorable performances, no other pair came close.

2. Comebacks are a Crapshoot.

With the Olympics on the horizon, lots of familiar faces returned to the ice for this year’s Worlds, with varying levels of success. Few comebacks generated more buzz than Carolina Kostner’s. After two years away – some by choice, some mandated as fallout from a doping scandal – the 30-year-old veteran looked like a World medal contender after a bronze at Euros. Even at her peak, Kostner has never been the most accomplished technician, instead earning high marks for her superhuman speed and pristine execution. Her components scores remained among the highest, especially in her free skate, but her technical content looked downright old-fashioned in comparison with the enormous triple-triple combinations and back-loaded content that defeated her. Her fifth-place free skate earned only the tenth-highest technical score, and her sixth-place overall finish was her worst since 2010. Fun as it is to see her back on the ice, I found myself wishing she’d retired at her peak.

Pairs was lousy with comebacks this year. Aliona Savchenko is on the second year of her return tour, and this time, her interaction with Bruno Massot occasionally resembled chemistry. They’ve chosen high difficulty over polish and finesse, which snagged them a silver medal, although my friends have reassured me that I’m not the only one who can barely remember their performances. Newlyweds Alexa and Chris Knierim were in strong fighting shape after an illness took her off the ice for most of the season, but their 10th-place finish speaks volumes about the lackluster state of American pairs.

The most striking pairs comeback belonged to Ksenia Stolbova and Fedor Klimov. Stolbova was injured for most of the season, and their uncertainty showed in a nightmare of a short program that included a freakish fall on their twist. But in the free skate, both were in full-on beast mode. They stumbled out of their triple toe-triple toe-double toe combination, and Stolbova singled the last jump, but it’s astonishing to see a triple-triple in pairs at all. They also performed one of the few non-hideous back outside death spirals of the event, an accomplishment that, like many of their elements, might have earned even higher grades of execution if they hadn’t been stuck in the first warm-up group. But the best part of their performance was their distinctive angry-sexy chemistry. A lesser team might have struggled with their flat, abstract music, but they infused it with intensity and purpose. Stolbova and Klimov rocketed from 13th in the short program to 5th overall, in the most satisfying rebound of this year’s Worlds.

Without a doubt, the highest-profile comeback kids this season were Tessa Virtue and Scott Moir. Some fans, myself included, murmured with skepticism when they announced their return, but Virtue and Moir took the right approach for an accomplished veteran team. They’ve adapted to ice dance’s current direction, adding strategic upgrades to their steps and twizzles, and putting their own spin on the dramatic lyrical free dance style that dominates these days. They faltered in that free dance, as they have several times this season, but they built an insurmountable lead with their extraordinary short dance. Lots of teams were strong in the short this year, but Virtue and Moir were the only ones who made it look easy. They covered so much ice in their pattern dance that the camera operator had trouble finding them, and they brought the house down with a difficult variation on a signature lift. Prince isn’t remotely hip hop, but who cares? They captured his quirky spirit and proved they’re still capable of surprise, experimentation, and growth.

3. Canada has a deeper bench than we thought.

Virtue and Moir were the biggest Canadian story at this year’s Worlds, but it was a great year for Canada in general. With Virtue and Moir’s return, Kaitlyn Weaver and Andrew Poje were demoted to the second string in ice dance,. The limitations they’ve faced in their scoring followed them here: they consistently lost levels in their step sequences and missed the top tier in their grades of execution. But in a volatile dance event, Weaver and Poje achieved a fourth-place finish by demonstrating consistency and focus while others faltered. Earlier in the season, their Michael Jackson short dance had come off as fun but messy. They were sharper and more confident in Helsinki, and that refinement stood out. Before Worlds, it had been easy to give up on Weaver and Poje, but their performances here were a sign that this has been a transitional year, on the road to a real peak during the Olympic season. They won’t be able to rely on others’ mistakes next time, though.

While Weaver and Poje had to prove their relevance, Canada’s third pairs team arrived with few expectations on their shoulders. Liubov Ilyushechkina and Dylan Moscovitch’s partnership is itself a second chance, after years of more conventional, less successful, and less satisfying arrangements for both. With Ilyushechkina’s citizenship still up in the air, they’re not on a sure path toward the Olympics. That’s too bad, since their sixth-place finish was the highest for a Canadian pair this year, and it ensured that Canada will send three pairs to Pyeongchang in 2018. They were especially strong in the short program, which featured a huge, controlled throw triple lutz and more commitment to the tango than some ice dancers mustered. At first glance, their success seemed to be all Ilyushechkina, with her spunky on-ice presence, but Moscovitch was a rock. Keep an eye on him, and you’ll notice how often his keen sense of timing saved the day.

Kevin Reynolds acquitted himself well in the men’s event but got a bit of a raw deal. Stuck skating sixth out of 36 men in the short program, he was in a class by himself among the early groups. He landed two clean quads, including the most polished quad salchow-triple toe loop of the segment. The judges assessed him conservatively in components because he skated so early, and his front-loaded program, with no second-half bonuses for his jumps, set him back on the technical end. If Reynolds had been able to skate in a later group, he almost definitely would have placed higher than 12th in the short program. He looked less confident in the free skate, saving a number of underrotated landings, but he got some justice on his second mark. Across the board, his components averaged about 0.6 points higher in his free skate than in his short program. That doesn’t sound like a big difference, but it could have been just enough to put him ahead of Mikhail Kolyada overall. If Reynolds had placed 8th instead of 9th, he would have earned Canada an extra guaranteed spot at the Olympics.

But where Canada is concerned, the real story was the ladies. The last Canadian lady to stand on a World podium was Joannie Rochette in 2009, and until now, two have never medaled in the same year. Kaetlyn Osmond and Gabrielle Daleman had both posted strong results earlier in the season: Osmond brought home a pair of Grand Prix silver medals and just missed the podium at the Grand Prix Final; Daleman spoiled for silver at Four Continents. I didn’t see anyone predicting a podium finish for either at Worlds, though, and both are so inconsistent that they would have made my Why I Drink list if I’d had time for a ladies’ field guide. As I watched live, the presumption on Twitter was that they would both bomb their free skates. Maybe one would survive. Instead, Osmond and Daleman soared under pressure while most of their competitors stumbled.

Osmond was great in the free skate, but her shining moment was her short program. I can’t imagine a current skater more suited to an Edith Piaf medley, and the music’s rough-edged bravado lent her confidence. She opened with a textbook triple flip-triple toe loop, but what stood out most were her spins. Long-limbed and muscular, Osmond has to work harder than others to make her flexibility moves look clean and natural, but her extension looks that much more dramatic because she has such control over it. That precision, along with some of the fastest basic skating in the field, earns her the high components scores that some fans are skeptical of. In some respects, she approaches her non-jump elements and connecting moves more like a men’s skater, muscling into them instead of faking a delicacy that isn’t really her style. That places her in contrast with most other top ladies, but the more she owns it, the farther she’s able to take it.

As great as Osmond was, Daleman damn near overshadowed her, especially in the free skate. In fact, I was surprised that Osmond beat her in the free – by less than a point, and entirely on components. Daleman competes with less technical difficulty than most top ladies, but her underlying technique is some of the best. Nobody else jumps higher, and she doesn’t rotate until she’s fully airborne, like she knows she’s going to be up there all day. She also beefs up her grades of execution with dramatic and unusual entrances and exits to her jumps. Her choreography is a giant stamina challenge, with few opportunities to breathe or regroup mentally. Which is fitting, because everyone watching was holding their breath for the entire four minutes of her free skate. Points and placement aside, she was the star of the ladies’ event.

4. Don’t underestimate anybody.

Before an event like Worlds, I’m always attentive to the athletes that people aren’t talking about. Underestimated athletes often do well in big events, because they feel the pressure less than the top contenders. Front runners claimed all the gold medals this year, but several quiet heroes made big statements. I don’t know if we’ll start taking them more seriously as a result, but we should be.

It’s weird that Evgenia Tarasova and Vladimir Morozov still come off as underdogs in pairs, since they won both Euros and the Grand Prix Final this year. Maybe it’s because all of their big accomplishments come from consistency and steadiness, rather than the dramatic but unreliable moves that attract as much attention from a fall as a landing. Maybe it’s because their chemistry is less volatile and passionate than we expect from pairs, a comfortable and friendly connection that can be appealing but doesn’t have the strongest impact on the ice. Or maybe it’s that they had a little more oomph in their performances earlier in the season. Their short program was as stunningly precise as ever, and they wobbled only slightly in their free skate. It was more than good enough for bronze, and in a world where polish and persistence get due credit, it should also be good enough to cement their status as Russia’s strongest pairs team.

Normally, Boyang Jin isn’t an underdog. He’s one of the quad-jumping overlords of men’s skating, and he came to Worlds as the reigning bronze medalist. But a rough season, and a lack of new technical upgrades, had left him as the quad beast least likely to succeed in Helsinki. While others padded their arsenals with bigger jumps, Jin turned his attention to his components marks, addressing justified criticism that his transitions, skating skills, and musical interpretation lagged far behind his competitors’. His performances at Worlds demonstrated how much he’s developed his fundamentals, but more importantly, how effectively he’s cultivated a signature style. There’s never been a question that Jin is having fun whenever he skates, but for the first time, his choreography builds in opportunities for him to show it. An infectious smile can’t compensate for two-footed skating or jumps that launch perilously close to the boards, but it’s evidence of effort in the right direction. Jin’s quad lutz is impressive on its own, but his charm gives it something extra.

After Mai Mihara won Four Continents, you’d think we’d all be paying attention. Instead, folks continue to confuse her with Satoko Miyahara. Throughout her career, Mihara has been overshadowed by jumping prodigies and preternaturally dramatic divas, lost in Japan’s overcrowded ladies’ field. But her mental steadiness and exceptionally clean jump technique have brought her to the forefront this season. A major lapse in the short program took her out of podium range in Helsinki: she doubled her final jump, a flip, receiving zero credit for the element, and sank down to 15th in the segment. But she was error-free and graceful in her free skate, taking the lead and holding onto it for hours. She ended up with the fourth-place free skate, and she might have gone higher if she’d skated later. Compared with the other top competitors’ jumps, the deep edges of her entrances would have stood out more, as would the momentum she gains as she checks out of her controlled landings. Mihara isn’t the most expressive skater, and the Disney-princess wonder of her more confident Four Continents performance didn’t come through as strongly at Worlds. Few athletes can match her technique, though, and she should be giving stamina lessons to the rest of Team Japan. Her fifth-place finish is enough to establish her as an athlete to watch, but her quiet persistence – the quality that makes her all too easy to overlook – seems to be the secret to her success. She’ll enter 2017-18 as a major contender for one of Japan’s two Olympic slots, and it will get harder for her to keep skating like nobody’s watching.


Next on The Finer Sports: Two more posts of Worlds reactions! Then, a series of season-in-review posts, plus whatever I have to say about the World Team Trophy.

2017 World Championships Field Guide: Men Part 3

Welcome to the third and final section of my guide to the men’s event at 2017 Worlds. We’re down to 36 competitors, as Han Yan confirmed on Saturday that a shoulder injury will keep him from participating, and China has not assigned an alternate in his place. (If you’re wondering what he needs his shoulder for, watch how skaters pull their arms in as they launch a jump – without that quick snap, you can’t rotate in the air.) This part of the field guide includes everyone else in the last third of the alphabet. If you haven’t read the previous two sections, check out Part One and Part Two before moving on to this one. Part One gives a more detailed explanation of how these field guides are structured, and how my five-point rating system works.

Since the start of the competition is closing in, I’ll keep the preamble short. On with the skaters!

Continue reading “2017 World Championships Field Guide: Men Part 3”

2017 World Championships Field Guide: Men Part 2

We’re a week away from Worlds, and skaters are starting to converge on Helsinki. There are 37 of them on the roster for the men’s event, and I’m determined to profile every one before their short program begins on Thursday, March 30. I’m a third of the way there, so if you started with this post, go back and read Part 1 of my Worlds Field Guide to the men’s event. It explains in more detail how I’m formatting these guides, and why it’s actually a compliment when I say an athlete is Why I Drink. It also has Yuzuru Hanyu, Javier Fernandez, and Nathan Chen in it, which might be why you’re here. Unless your goal is to get more information on the less familiar skaters in the field, in which case, you’ve come to the right place. This guide includes skaters 13-24 in alphabetical order, and most are guys you’ve never heard of unless you’re as obsessed as I am.

Continue reading “2017 World Championships Field Guide: Men Part 2”

Well, There Goes the Old Site

Happy Update 4/8/2017: SportsBlog has restored all the old posts! I’ll gradually be exporting them here, but you can click the link in the sidebar to read on SportsBlog until I do.

I discovered today that SportsBlog has deleted almost all of my posts from the old blog. This happened in the last 48 hours, with no warning. I’m not entirely surprised, considering the way things had been going in the month or two before I moved the site here.

Fortunately, I had many of my posts backed up to my computer, and I retrieved most of the rest through and Google caching. About 10% of the posts are gone forever, though, mostly from the first few months of the blog.

Everything is in disarray, since the backups didn’t all capture images, embedded videos, etc. I will eventually upload everything here, but it will take quite a bit of time because nothing can be imported directly. It’s going to have to wait until after Worlds. It’ll happen gradually.

It’s possible that everything will magically come back in a few days, since the disappearance seems to be the result of a massive site restructuring on their end. Regardless, I’m not trusting SportsBlog to archive everything until I have time to export, which was the previous plan. I’m upset, obviously, and sorry that you guys can’t go back and read my older work, at least for the next couple of months. But it’s not dead forever, and it will come back.

On the bright side, I’m close to done with the next part of my Worlds field guide, so that will be up tonight!

2017 World Championships Field Guide: Men Part 1

How is it time for Worlds already? It feels like just last week, I was booking a flight for Boston. Now, skaters are on their way to Helsinki to do it all over again. Although I won’t be there to witness the magic in person this year, I’ll still do my best to provide complete coverage of the biggest figure skating event of the season. And that starts with field guides, as many as I can finish before the competition begins.

With 10 days to go, there are 37 men on the roster for the 2017 World Figure Skating Championships, representing a total of 30 countries. As much as I’d love to trim things down the way I did for my World Junior Championships Men’s Field Guide, there’s no way to do it for senior-level Worlds. The minimum technical scores required are so high that any skater who competes at Worlds is capable of phenomenal jumps, and most of the guys on the list are fantastic performers to boot. So I’m splitting this into a series of three posts and covering every athlete in the event.

For the most part, this will look like the field guides I’ve written for U. S. Nationals and Junior Worlds. For each skater, I’ll provide basic background information, YouTube videos of recent performances, and a summary of his season so far. I’ll also analyze each athlete’s chances on a five-point scale. Four of the categories are the same as usual: Front Runners at the top, Dark Horses with an outside chance, Just Happy to Be Here who have already achieved their season goals by qualifying for Worlds, and Why I Drink for the wildcards so wild that I have no idea how they’ll perform. But since an athlete at Worlds is, by definition, at the top of his game, it doesn’t make sense to refer to any of these skaters as “on the rise.” Instead, I’ll rate the mid-range as On the Bubble: striving for more than just an appearance on the ice, but not on par with the top tier. I’m also adding one new section to each skater’s profile. Since quadruple jumps are such a defining aspect of men’s skating these days, I’ll discuss which quads each athlete is likely to attempt, and his chances of rotating and landing them.

This post features the first 12 men’s skaters in alphabetical order, which includes a lot of the heavy hitters. Here we go!

Continue reading “2017 World Championships Field Guide: Men Part 1”